The expulsion from the earthly paradise of Adam and Eve fascinates Christopher Kane. His is a story of conceptual sensuality, between large abstract patterns, laces that emerge from slits in the fabric and the airiness of the pleated

The Christopher Kane fashion show for Autumn-Winter 2020-21 , among the flagship shows of <a href="https://www.lofficielitalia.com/fashion-week/via-alla-london-fashion-week-sempre-piu-aperta-al-pubblico">London Fashion Week,</a> is full of symbolisms. The Scottish designer takes his cue from the myth of the Garden of Eden, with the fall in temptation of Adam and Eve, driven out of paradise on earth for not having been able to resist their instincts. Sex is a recurring theme for Kane, who for the occasion imagines a love triangle between man, woman and nature. 
Transposition is a collection crossed by showy abstract patterns of triangles precisely, interspersed with a conceptual seductiveness made of black lace, enhanced by strategic cuts that reveal generous portions of leather. And followed closely by floating pleated dresses, in contrast with the adherence of tops, dresses and skirts in semitransparent metal mesh. While throughout the show the shoes, bags and front of clothes and paletot show the three-dimensional inserts in gel, always loved by Kane, which suggest a mocking grin. 
Among the colors, brown, red and cream dominate, with flashes of green. In addition to the abstract patterns, a print takes place that reproduces the painting Adam and Eve by Lucas Cranach the Elder. And python fantasies spring up, an inevitable reference to the tempting snake.

Christopher Kane enters the Garden of Eden

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