The Fall-Winter 2020 trends from Paris Fashion Week

Jump between distant eras, from the Middle Ages to the 1940s for a contemporary heroine. The style of the next Autumn-Winter 2020 is a hymn to personal identity and women power

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Gucci's Spring Renaissance and Demna's Debut Show

The Georgian creative director presents his first Gucci show with a "see now, buy now" format. At Milan Fashion Week, amidst Renaissance statues, a close dialogue unfolds between the rigor of the seamless technique, Botticelli-esque proportions, and a pragmatism that eschews intellectualism to embrace pure desire.

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At Victoria Beckham, a sculptural wardrobe inspired by Tamara de Łempicka

Inspired by Art Deco artist Tamara de Łempicka, Victoria Beckham unveils an autumn-winter 2026-27 wardrobe where architectural power, sensuality and modernity redefine the feminine silhouette.

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At Loewe, the art of play and materials

At Loewe , the autumn-winter 2026-27 collection imagines fashion as a playground where experimentation, art and know-how interact with a new lightness.

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At Givenchy, Sarah Burton creates a wardrobe for rebuilding herself

For autumn-winter 2026-27, Sarah Burton imagines at Givenchy a wardrobe with multiple identities, where the rigor of tailoring and sensual draping reflect the complexity and strength of today's women.

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At Vivienne Westwood, Andreas Kronthaler orchestrates a free and subversive winter.

Andreas Kronthaler designs a vibrant and theatrical Fall/Winter 2026-2027 show for Vivienne Westwood, inspired by cinema, history and irreverent sensuality.

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At Dior, the silhouette engages in a dialogue with the gardens.

At the Tuileries, Dior orchestrated a fashion show where the stroll became a performance and fashion, a living theatre.

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At Miu Miu, the intimacy of the body in the face of the immensity of the world

In the heart of an imagined forest at the Palais d'Iéna, Miuccia Prada designs an autumn-winter 2026-27 collection for Miu Miu that brings fashion closer to the body and delicately explores feminine intimacy.